How long O Lord, how long?
How much more can we take, O God?
David’s seen his son lost to rebellious death,
And we ache with our hopes run aground.
We ache and see a bay of ashes
Tear-sea, waves and no calming rhythm,
No loving silence, no furious spray which tastes of life.
We bend and crumple beneath the many weights.
How long O Lord, how long?
Will we dwell inside ourselves,
See unlucky omens,
Not able to speak
Or meet each others’ gazes?
How much more can we take?
How much more of this,
And whatever more comes tomorrow,
Each new gap in mercy,
Or so it seems?
We sob upon the bay of ashes,
Grey sand and greyer skie
Giddy with luck,
I am dancing and discover that I can dance.
How rare the delight,
To find a touch where I do not tense,
A person to share all,
My hand on your waist,
I cannot believe your eyes.
Maybe ascribe it not to luck but to blessing,
A river falling,
A sea of love added to
By newly found tributaries,
Little gifts,
An outpouring
[Two souls, one night by the river’s run,
The old mill,
Telling all].
Or perhaps destiny,
To reconnect two threads ever so close but never yet overlapping,
Taken each far from home,
But meant to be entwined.
I could say only love,
Not deserved, nor wilfully won by I,
Unexpectedly born,
I can scarce b
(
Give me a sign of if I have chosen
A right way
For these years,
Or if I am not worthy.
Give me some sense if this is the beginning or the end,
When it feels like endless middle.
Adjudge me to be ready,
Or leave me behind,
All I say is let me know – and while I ask this
Off-guard,
In an unequal pattern, overstretched and underused,
I say too much, too soon:
((
It makes sense
I identified as a traitor for so long,
And then by self
Self-focus, selfishness
To firmly betray
For the sake of avoiding feared outcomes,
It makes sense. Does it matter if
It is true?
But we seem to live in a world
Where there is nothing in the present, o
One thorn reminds of being wrapped in brambles
The old pain, the old wounds,
That felt inescapable – that held me fast,
And kept me from moving with any swiftness,
Wound me down to gasping, uncomprehending exhaustion.
And memory erupts with the belief that
Once again, I am trapped,
Even as I ease the thorn from my palm,
Rise lionlike once again.
Fear insists that one step back means all is lost,
And what I have lost is a vision
Of where I am now, of how different
A single thorn is from many,
A single setback is from total blockage,
A single mistake is from the ill-chosen path.
My body burns with flames and I think I am lost to t
Remember Then What It Is That You Were Saved From by tetrarchangel, literature
Literature
Remember Then What It Is That You Were Saved From
They might say, in the end, that we saved each other
Sure, only God saves,
As with all things, we’re talking some way down the line,
The secondary, the tertiary, the helicopter and the boat,
At the moment all the stories
Are notes in small journals, held by us,
Some balladeers we make, telling each other
Stories of only weeks ago.
‘What have you been doing for the last year or so?’
I was asked, and I said ‘growing up’ because
Poetry is for adolescents and they’re eternal
These days [they’ll die in the future, they died in the past, but
In the now, they grow incrementally-eternally]
“Time pr
Oh say nothing,
And hold every word,
In increasing internal hollow
So no sound will ring
In a room
That encompasses all.
Find connections in
Some codex of restoration
That tie up insufficiently
With her, and her, and
Experience incapability and inability
Fear for fear
But say nothing, and hold them closer.
Realise femininity, that
Sitting down is for rooms with chairs and couches
And notepads, and that other sort of listening
Listen to her as her movements touch the air,
The raw, the burning, sings out
Listen, say nothing, hold close.
To tell honestly,
Of the reality of my heart,
To speak and sing and use words, those fortunate words,
How I come to know my love,
How I come to understand:
This stolen idea, to breathe only
Secrets and secret names
Forms that only we shall know, and answer only to
When in the other’s voice.
That we mark each other apart: you are my special one,
You are the only one
You are the one called…
Oh! Darling
That I cross this place
To find you,
[a wolf at your door;
echoes years later]
To find each snaring brier
Passed, and passable, and past.
And journeying
On roads afar,
After our journey begun,
Saw your domain and its seams
The s
I cannot see anything as it is. A mire
Of expectation, that is nothing to do with the real
Experience, of feeling
All is lost
When nothing was ventured.
To feel the utmost tumult, despite
The skin of the water unpierced by stones
Oh to hurt like this again
To love, as the only answer,
To unbidden pain,
To unworthy, undue suffering that comes from nothing.
When you draw nothing from the well
It will reveal the blackest poisoned water
That every failure going before
Has written a negativity beyond reason, beyond knowing,
That rises now, from misty seafoam,
A corrupt and false resonance that draws
One’s heart onto the rocks –
Haphephobia – I forge relationships
Of immense intensity
With people I will never know,
And can never meet,
Who exist only in aether, and
Are given flesh by a libidinous mind. No contact
No contact, no touch,
For I know that I’m compelling
If all I have is the
Page
And my words
To lead the way.
Aphephobia – A monastic cell
Whose door opens into
A brothel where I’m the madam,
An abbess of one and a
Procuress of infinite possibility.
There is a rule of no touching but it counts differently:
Don’t touch my heart and don’t move me,
Don’t caress a strand of sympathy.
Haphophobia – I crafted
St. Michael and All Angels by tetrarchangel, literature
Literature
St. Michael and All Angels
So it was about four years ago and I would call it a lifetime
If that wasn't offensive
And I know I don't mourn like a pagan
But I miss you
You're not a pressed flower
You're not frozen
You're a garden, and it's summer
I had to come before I went
Had to be honest
I'm going where we were both going to be
And you're with me
A bit
The dirt on my hands never washed
Earth and the earthman
And the heart and the hippocampus
It's tranquil till it's not
Nothing set in stone
There's just a wooden cross
Soldier
We'd fought all sorts of things in that same corps
On the same journey
The same mission, royal commission
So so long as I'm struggling I know
How long O Lord, how long?
How much more can we take, O God?
David’s seen his son lost to rebellious death,
And we ache with our hopes run aground.
We ache and see a bay of ashes
Tear-sea, waves and no calming rhythm,
No loving silence, no furious spray which tastes of life.
We bend and crumple beneath the many weights.
How long O Lord, how long?
Will we dwell inside ourselves,
See unlucky omens,
Not able to speak
Or meet each others’ gazes?
How much more can we take?
How much more of this,
And whatever more comes tomorrow,
Each new gap in mercy,
Or so it seems?
We sob upon the bay of ashes,
Grey sand and greyer skie
Giddy with luck,
I am dancing and discover that I can dance.
How rare the delight,
To find a touch where I do not tense,
A person to share all,
My hand on your waist,
I cannot believe your eyes.
Maybe ascribe it not to luck but to blessing,
A river falling,
A sea of love added to
By newly found tributaries,
Little gifts,
An outpouring
[Two souls, one night by the river’s run,
The old mill,
Telling all].
Or perhaps destiny,
To reconnect two threads ever so close but never yet overlapping,
Taken each far from home,
But meant to be entwined.
I could say only love,
Not deserved, nor wilfully won by I,
Unexpectedly born,
I can scarce b
(
Give me a sign of if I have chosen
A right way
For these years,
Or if I am not worthy.
Give me some sense if this is the beginning or the end,
When it feels like endless middle.
Adjudge me to be ready,
Or leave me behind,
All I say is let me know – and while I ask this
Off-guard,
In an unequal pattern, overstretched and underused,
I say too much, too soon:
((
It makes sense
I identified as a traitor for so long,
And then by self
Self-focus, selfishness
To firmly betray
For the sake of avoiding feared outcomes,
It makes sense. Does it matter if
It is true?
But we seem to live in a world
Where there is nothing in the present, o
One thorn reminds of being wrapped in brambles
The old pain, the old wounds,
That felt inescapable – that held me fast,
And kept me from moving with any swiftness,
Wound me down to gasping, uncomprehending exhaustion.
And memory erupts with the belief that
Once again, I am trapped,
Even as I ease the thorn from my palm,
Rise lionlike once again.
Fear insists that one step back means all is lost,
And what I have lost is a vision
Of where I am now, of how different
A single thorn is from many,
A single setback is from total blockage,
A single mistake is from the ill-chosen path.
My body burns with flames and I think I am lost to t
Remember Then What It Is That You Were Saved From by tetrarchangel, literature
Literature
Remember Then What It Is That You Were Saved From
They might say, in the end, that we saved each other
Sure, only God saves,
As with all things, we’re talking some way down the line,
The secondary, the tertiary, the helicopter and the boat,
At the moment all the stories
Are notes in small journals, held by us,
Some balladeers we make, telling each other
Stories of only weeks ago.
‘What have you been doing for the last year or so?’
I was asked, and I said ‘growing up’ because
Poetry is for adolescents and they’re eternal
These days [they’ll die in the future, they died in the past, but
In the now, they grow incrementally-eternally]
“Time pr
Oh say nothing,
And hold every word,
In increasing internal hollow
So no sound will ring
In a room
That encompasses all.
Find connections in
Some codex of restoration
That tie up insufficiently
With her, and her, and
Experience incapability and inability
Fear for fear
But say nothing, and hold them closer.
Realise femininity, that
Sitting down is for rooms with chairs and couches
And notepads, and that other sort of listening
Listen to her as her movements touch the air,
The raw, the burning, sings out
Listen, say nothing, hold close.
To tell honestly,
Of the reality of my heart,
To speak and sing and use words, those fortunate words,
How I come to know my love,
How I come to understand:
This stolen idea, to breathe only
Secrets and secret names
Forms that only we shall know, and answer only to
When in the other’s voice.
That we mark each other apart: you are my special one,
You are the only one
You are the one called…
Oh! Darling
That I cross this place
To find you,
[a wolf at your door;
echoes years later]
To find each snaring brier
Passed, and passable, and past.
And journeying
On roads afar,
After our journey begun,
Saw your domain and its seams
The s
I cannot see anything as it is. A mire
Of expectation, that is nothing to do with the real
Experience, of feeling
All is lost
When nothing was ventured.
To feel the utmost tumult, despite
The skin of the water unpierced by stones
Oh to hurt like this again
To love, as the only answer,
To unbidden pain,
To unworthy, undue suffering that comes from nothing.
When you draw nothing from the well
It will reveal the blackest poisoned water
That every failure going before
Has written a negativity beyond reason, beyond knowing,
That rises now, from misty seafoam,
A corrupt and false resonance that draws
One’s heart onto the rocks –
Haphephobia – I forge relationships
Of immense intensity
With people I will never know,
And can never meet,
Who exist only in aether, and
Are given flesh by a libidinous mind. No contact
No contact, no touch,
For I know that I’m compelling
If all I have is the
Page
And my words
To lead the way.
Aphephobia – A monastic cell
Whose door opens into
A brothel where I’m the madam,
An abbess of one and a
Procuress of infinite possibility.
There is a rule of no touching but it counts differently:
Don’t touch my heart and don’t move me,
Don’t caress a strand of sympathy.
Haphophobia – I crafted
St. Michael and All Angels by tetrarchangel, literature
Literature
St. Michael and All Angels
So it was about four years ago and I would call it a lifetime
If that wasn't offensive
And I know I don't mourn like a pagan
But I miss you
You're not a pressed flower
You're not frozen
You're a garden, and it's summer
I had to come before I went
Had to be honest
I'm going where we were both going to be
And you're with me
A bit
The dirt on my hands never washed
Earth and the earthman
And the heart and the hippocampus
It's tranquil till it's not
Nothing set in stone
There's just a wooden cross
Soldier
We'd fought all sorts of things in that same corps
On the same journey
The same mission, royal commission
So so long as I'm struggling I know
Haphephobia – I forge relationships
Of immense intensity
With people I will never know,
And can never meet,
Who exist only in aether, and
Are given flesh by a libidinous mind. No contact
No contact, no touch,
For I know that I’m compelling
If all I have is the
Page
And my words
To lead the way.
Aphephobia – A monastic cell
Whose door opens into
A brothel where I’m the madam,
An abbess of one and a
Procuress of infinite possibility.
There is a rule of no touching but it counts differently:
Don’t touch my heart and don’t move me,
Don’t caress a strand of sympathy.
Haphophobia – I crafted
St. Michael and All Angels by tetrarchangel, literature
Literature
St. Michael and All Angels
So it was about four years ago and I would call it a lifetime
If that wasn't offensive
And I know I don't mourn like a pagan
But I miss you
You're not a pressed flower
You're not frozen
You're a garden, and it's summer
I had to come before I went
Had to be honest
I'm going where we were both going to be
And you're with me
A bit
The dirt on my hands never washed
Earth and the earthman
And the heart and the hippocampus
It's tranquil till it's not
Nothing set in stone
There's just a wooden cross
Soldier
We'd fought all sorts of things in that same corps
On the same journey
The same mission, royal commission
So so long as I'm struggling I know
My body in space and time
Is a battleground of warring
Allied forces
And internecine;
I spend my time as a negotiator for my own release,
When we all agree on purpose and not on
How to get away.
Meanwhile predators that do not stalk
And fearful souls stride like hunters
We wilfully forget the spectrum and subtlety
Whilst morally choosing to believe, always.
We knew I must go to the sea,
We know I would be on the edge,
Some bastion standing where waves meet the land
Where black paper swans bisect the green,
And strands connect us in new ways.
Kicking and Screaming by tetrarchangel, literature
Literature
Kicking and Screaming
I can’t express it but I’m begging you to rescue me
Even as I love this
I wish you were here taking me
Away
Throwing me over your shoulder
Kicking and screaming
Exfiltrated by you from the deepest danger.
A big man with a big walk
Striding into the heart of the beast, the belly of darkness,
To steal me.
I resist and I struggle but
Only because I’d trapped myself
More thoroughly
Than degrading captors
In vermicelli ideas
A labyrinthine library of lies
To tie me to this bed.
He speaks and none dare reply
He lifts and I can’t stop him
My protests are feeble, unheard
To his stature,
And he can
Walk down the street, a
Dead, honeysuckle summer
Dead teenagers
Dropping, mayflies. Impossible hallucinatory British Summer Time
In hot, sticky darkness,
Hidden cove-caves,
Absences appearing along
A sandy map.
All human, always human.
Salt-taste and salt-lips
Skin that crackles under
Polaroid sunlight
This could never be now.
So then, rotting sweetness
Dying on the vine,
Told only in recollections
Warped vinyl on the 45RPM of ’76
(Or was it the 76RPM of ’45?)
Sun-drenched days,
Sweat-drenched clothes,
Blood-drenched remembrance.
Bleached paper, crinkled, unfolded,
Scrubbed hands,
Lye, lies, all that season
Gone quiet,
The climber dry and britt
It spins away.
In quiet, it leaves its safe
Banding.
Gets out of the invisible
Fireside warmth.
Icy night closes itself around
The world. Forests turn to glass.
The nights become more beautiful when the
Sky is ever dark, when the sun does not occlude and
Stars form carved lines, paths of light
To surround a planet that is leaving its mother star.
Spiralling away,
A wayward wanderer finally living up to its name.
Its heart cannot cease to burn,
As ages turn, as the starless wastes are traversed
As one single light grows every brighter,
Calling.
It had not known its mother well
Nor saw no siblings born,
But is sheathed in cloud, in
S
There is darkness ‘hind the secret door
That somehow falls in shade
From false corridor light.
The key that opens
Each office,
Mundane rooms of mundane
Necessary life. White and grey,
Graphpaper décor.
That is the key that opens the hidden door,
That same key, plain
Worn brass
Teeth unsharpened
Fitting unsurprising tumblers.
Lock all the doors.
Walk to the secret door.
Cross the first threshold: shadow.
Place the key, turn it, inhale.
Feel the door open, letting darkness into the hallway.
Cross the second threshold: the door.
That same key that opens every door
Opens even the door to darkness
To a depraved place, a room w
Dynamism and dynamics,
The containment of all the little futures.
We make sense of the world
The lines that frame comprehension,
The roots of knowledge.
Our voices in synchrony,
We cannot help but head in directions
Cued by the lives that came before
Each familial map
Adding bits and pieces
Relosing other territories.
Alignment with bloodlines
All these imitations who became men
So dependent on our fathers
For a way to go,
So invariably shaped
By their image.
Eight, nine, eight, nine
To put a number on romance is easy and misses the point
But Cupid’s blunted bow is no news of mine.
It is the other way
Where unnumbered is the only answer
How many people, how many ideas, how many nights?
The fact it is possible to forget so many nadirs
Crimes lost from the recording to recur in memory randomly
Despite their awfulness.
Yet what hope there is
That the unnumbered are unreckoned also
No ledger holds them, though debt they are,
No conviction but the conviction of the conscience led,
I might forget in part
But it is forgotten wholly, forgiven wholly.
The port by the wine-sea,
Beyond the islands of men,
We pass
To a red liveried land,
Escaping.
Into a more dangerous place,
With fewer fortresses and fewer securities,
Passing fragile paper cranes through
Seaside Lionsmouth.
But the pit that is fled,
The gauntlet that is run
Precedes arrival in the mouth of the lion,
It was from heartlands, homelands,
That hold tight, immobilise,
Paralyse –
To reach the sea, one must run and run and run.
The far port, a distant hope:
To put that flight behind us, fiction,
The lion’s mouth truer, we are within;
Too weak, too bound to go.
Happy St. Patty's Day everyone! I wish you all a cool pint of Guiness, and if you're from Ireland, I highly recommend hugging a leprecaun.
In the meantime, the Indiegogo campaign for The Prince of Trinita: Clink City comic http://www.trinitacomics.com is still underway. I officially have enough donations to bring it to print, so if you'd like to preorder a copy, hit the jump here: http://igg.me/p/64048?a=359797
Another great way to help out is to send the link above to your friends!
Thanks in advance.
On a side-note, I got my first troll today! Yes, I consider this an accomplishment. You might find him on the Trinita comics page. htt
Daily Literature Deviations for Nov. 15th, 2011 by DailyLitDeviations, journal
Daily Literature Deviations for Nov. 15th, 2011
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Daily Lit Deviations for November 15th, 2011
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Poetry
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Imperial Loathing by :devmarvinthepa
Radioromance Pt. 2 by spacesuitcatalyst, literature
Literature
Radioromance Pt. 2
And this is
my only act of love to you.
Oh, so you've grown up, like I never did
Resurrection makes me younger than I was
But not party to youth and the modern day.
Once I would have died if you forgot me, once
I needed you so dearly
To use, like some power-tripping dictator who lived on only by the collective consensual delusion despite the famines
Like the majesty of electricity, who commands:
Oh uranium, be split for me
Oh uranium, give up on being you, be torn apart,
So I won't die and the lights won't go out
And you said yes,
Because what else could uranium do
And similarly, with your life, given shape and intrigue
Given
Radioromance Pt. 1 by spacesuitcatalyst, literature
Literature
Radioromance Pt. 1
Ghost transmissions: echo from the screen
in an empty theater now forsaken to chronology,
with broken pilasters, crooked seats, dead dust,
paint and gold peeling, and the rust
as layers from a dream.
Her face: vignetted and soft in the glow of studio lighting
slowly decays, erased with time,
a living film: always shifting, ever changing,
the infinite and steady stare
of grey and hollow eyes.
Her coat shudders: outside,
in the cold breeze of final night,
and the sky shifts with broken verses,
revealing echoes of moonlight.
the fatal wound, the cigarette,
the silent noir
of the final sc
Beim Übergang zwischen Tag und Nacht,
Die Grenze zwischen Hell und Dunkel,
Wo die Abenddämmerung über die stille Landschaft erblüht
Dort erwacht ein nicht wahrnehmbarer Schauder
(Das Schlachtfeld ist chaotischer als erwartet)
Er ist lind, der einsamste aller Bitternis
Beherbergt in der Fähigkeit der völligen Befreiung.
Jenseits der Grenze.
Die Einsamkeit der Finsternis herrscht;
Am Horizont wird ein Zeichen sichtbar;
Millionen Diamanten, Botschafter des Morgens;
Millionen Diamantbotschafter zeigen sich.
Lichter funkeln an der Grenze zwischen Tag und Nacht
Nackheit und Vollkommenheit
(G
Timothy J Swann is a writer of novels and of poems, currently working on the publishing of his first novel, The Purity Construct, as well as a host of ongoing short stories and poetic series. He admits his name is a little pretentious, but is of the opinion that it looks better on a book cover than Tim Swann, even if he's called Tim by everyone he knows.
Current Age: 22 Current Residence: Worcester Favourite genre of music: www.last.fm/user/yalphaath
Unto is a novella of love, loss and redemption.
It was originally written by hand in a notebook, with a mix of line-broken poetic sections and prose sections, alternating by notebook page.
It was, or at least became, set in the world of Reason, the novel I wrote ten years ago, and I released it on that anniversary.
You should buy it! It's cheap in money, and it's heartbreaking in sentiment, and do you need any more recommendation than that? Click the link: http://www.amazon.co.uk/gp/product/B00ERQXCB2/ref=as_li_ss_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00ERQXCB2&linkCode=as2&tag=psycomedia-21
Thanks to Nichrysalis (https://www.deviantart.com/nichrysalis) I now have my first Daily Deviation, after many years of being here on deviantART. That's very exciting.
http://today.deviantart.com/dds/?day=2013-3-19 is where it's featured.
http://tetrarchangel.deviantart.com/art/The-Explosion-Coil-195728470 is the poem.
I've been a bit ill and thus not as creative recently, but I've finally started my next model, and going to a poetry society so I'm actually editing stuff for the first time. Yes, spring sprang, didn't it! We have storms of hail practically every day here at the moment. How goes your 'education'?
A poetry society! That sounds incredible! My "education" goes fairly well. Lots and lots of reading and not as much writing this semester. So much reading.